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• ' Released: May 14, 2002 • ' Released: August 27, 2002 • ' Released: November 19, 2002 • ' Released: April 1, 2003 Let Go is the debut studio album by Canadian singer-songwriter. It was released on June 4, 2002,.

Avril Lavigne - Complete Discography (1999-2013) 320kbps 13 torrent download locations thepiratebay.se Avril Lavigne - Complete Discography (1999-2013) 320kbps Audio Other 4 days. 08_Let.Go.(Special.Bonus.Edition)_booklet_01.jpg 26 MB; 2011.03 - Goodbye Lullaby. Special Edition.

For a year after signing a record deal with Arista, Lavigne struggled due to conflicts in musical direction. She relocated to Los Angeles, where she recorded her earlier materials for the album; the kind of sound to which the label was not amenable. She was paired to the production team, who understood her vision for the album. The album was credited as the biggest pop debut of 2002, and was certified seven-times Platinum in the United States.

It was released to generally positive reviews, although Lavigne's songwriting received some criticism. It also did extremely well in Canada, receiving a from the, as well as reaching multi-platinum in many countries around the world, including the UK in which she became the youngest female solo artist to have a number-one album in the region. As of 2011, Let Go had sold over 16 million copies worldwide, becoming Lavigne's highest-selling album to date. According to, the album was the 21st best-selling album of the decade.

A readers poll named Let Go the fourth best album of the 2000s. The album is considered as one of the albums that changed the music scene, because it helped to bring pop punk music into the mainstream, contributing to the rise of female fronted pop punk bands and female-driven punk-influenced pop music. On 18 March 2013, Let Go was re-released as a paired with her second studio album,, which is released under. The album was further promoted by the between December 2002 and June 2003.

Contents • • • • • • • • • • • • • • • • • • • • Background [ ] Lavigne relocated to Los Angeles, where she collaborated with songwriter and producer, who gave her ample creative control in the writing process. Lavigne and Magness wrote ' and 'Unwanted', songs that she deemed reflective of her vision for the entire album. However, Arista was not thrilled with the heavy-guitar laden songs that Lavigne was writing, prompting the label to look for other producers to match their demands. Now two years since she signed the deal, Lavigne, who was then unknown, came to the attention of the three-piece production team. Arista could not find the right direction for Lavigne, so the team's manager, Sandy Roberton, suggested that they work together: 'Why don't you put her together with The Matrix for a couple of days?' According to member, they had been listening to Lavigne's early songs and felt they contained 'a kind of vibe'. As soon as they saw Lavigne coming into their studio, The Matrix felt that her musical direction was incongruous to her image and attitude.

After talking to Lavigne for an hour, 'we cottoned on that she wasn't happy but couldn't quite figure out where to go'. The Matrix played her songs with Faith Hill influences, because it was those kind of songs the label wanted Lavigne to sing. But Lavigne dismissed it, saying she wanted songs with inclinations. Lavigne played The Matrix a song that she had recorded and really loved, a track with sounds in the likes of the rock band. Fortunately, prior to forming The Matrix, its members' early projects were in the pop-rock type, so they readily figured out what Lavigne wanted to record and knew exactly what to do with her.